In this method, you explain the feelings, sensations, memories, and imagery you experience while listening to the music. The Bonny method of guided imagery and music (GIM): This form of therapy uses classical music as a way to stimulate the imagination.The improvisational process uses music as a way to help enable self-expression. Nordoff-Robbins music therapy: Also called creative music therapy, this method involves playing an instrument (often a cymbal or drum) while the therapist accompanies using another instrument.It’s done in a group setting and requires a high level of engagement from each member. Community music therapy: This format is focused on using music as a way to facilitate change on the community level.This approach is structured, not improvisational, and may include listening to music, dancing, singing, or playing an instrument. In CBMT, music is used to reinforce some behaviors and modify others. Cognitive behavioral music therapy (CBMT): This approach combines cognitive behavioral therapy (CBT) with music.Benenzon music therapy includes the search for your "musical sound identity," which describes the external sounds that most closely match your internal psychological state. Benenzon music therapy: This format combines some concepts of psychoanalysis with the process of making music.Analytical music therapy: Analytical music therapy encourages you to use an improvised, musical "dialogue" through singing or playing an instrument to express your unconscious thoughts, which you can reflect on and discuss with your therapist afterward.To learn more about creating moods for film, TV and games, check out my full course here. Virtually all musical moods are created by a combination of these four basic elements. So you can now see that I achieved these three distinct moods by using a specific combination of melody, harmony, rhythm and orchestration. And I made use of orchestration by choosing loud, aggressive instrumentation. I made use of rhythm by utilizing a frenetic, syncopated pattern. In this last example, I used that same piano part for the harmony, which was then altered by my use of melody which contained the note Ab. (Yes, even though our previous example ventured into the key of A minor, the piano notes C and E naturally imply the key of C major). That's because the note Ab is not found in the key of C major, which is our implied key. By emphasizing the note Ab, I've added additional tension to the music. That also creates a sense of agitation.īut there is still one more element contributing to the sound and that is the notes themselves. But what makes their part so exciting are the fast, syncopated 16th notes. We've added a dramatic bass figure, played in unison by the trombones, cellos and timpani. The most obvious change is in the instrumentation. The mood is now very agitated and excited. Let's take our musical examples one step further. They are through melody, harmony, rhythm and orchestration. ![]() There are four basic ways to create moods in music. Basically, film scoring is about providing the proper emotional support for the film. This is the essence of film scoring'"using music to either enhance the mood or to create a new mood. Now take that same C minor chord, and this time when you repeat it several times, hold each chord for two beats at a very slow tempo and at a soft volume. Something is happening'"or is about to happen. You immediately create an attention grabbing moment. Now take that C minor chord, and instead of holding the duration for a few seconds, repeat it many times very quickly at a loud tempo. Now if you were to play a C minor chord, you would create a sad mood, or at the very least, a contemplative mood. If you play and hold a C major chord on the piano, at a moderate volume, you immediately establish a happy mood'"or at the very least, a content mood. So once you understand how to create moods and emotions in music, you're well on your way to becoming a film composer. You just need to understand how moods are created in music.įilm scoring is all about establishing moods and reinforcing emotions. But in truth, you don't need to be a magician. ![]() To many musicians, being a film composer might seem like an impossible dream, a goal accessible to only those special few magicians who can conjure up any musical mood or emotion at a moments notice.
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